Chauncey Bradley Ives Ideal Figure With Harp 1871 High Museum of Art
| Chauncey Ives | |
|---|---|
 | |
| Born | December 14, 1810 Hamden, Connecticut, US |
| Died | 1894 Rome, Italy |
| Nationality | American |
| Alma mater | largely self-taught |
| Known for | Sculpture |
| Movement | Neo-classic |
Chauncey Bradley Ives (December 14, 1810 – 1894) was an American sculptor who worked primarily in the Neo-archetype style. His best known works are the marble statues of Jonathan Trumbull and Roger Sherman (Roger Sherman) enshrined in the National Bronze Hall Collection.
Early years [edit]
Ives was built-in in Hamden, Connecticut and at the age of xvi was apprenticed to Rodolphus Northrop, a woodcarver in nearby New Haven. He may as well have studied with Hezekiah Diviner, some other local woodcarver who was a pioneer American marble carver.
Shortly thereafter Ives turned to marble carving and began carving portraits, starting time in Boston, Massachusetts and and so in New York City.
Poor health (and, according to Craven, p. 235, mayhap too much competition from other sculptors in Boston and New York) eventually convinced Ives to move to Europe in 1844, where he ultimately settled in the departer artist community there. He was to remain in Italian republic, afterwards moving to Rome in 1851 for the rest of his life. His final resting place is in the Protestant Cemetery, Rome in Rome.
Ives' statue of Undine Rising from the Waters (1884)[1] remains ane of the icons of the American neo-classical movement, being selected to grace the front covers of at least three books virtually sculpture, American Sculpture at Yale University, Marble Queens and Captives and A Marble Quarry, where the dorsum of the statue too serves as the book's back cover . Ives was to revisit the subject of Undine in some other work, Undine Rising from the Fountain.
Ives' reputation did non survive much longer than his life. Art historian and sculptor Lorado Taft includes him in Taft's seminal book The History of American Sculpture in a chapter entitled Some Small Sculptors of the Early Years, and says of his Trumbull and Sherman statues at the Connecticut State Capitol, "Descriptions of these curious works would exist unprofitable. They fit in nicely with the majority of their companions, just of all the dead man at that place they seem the most conscious of being dead." [2]
Unlike most of his other works The Willing Captive,(1886), while still designed to appeal to the 19th Century desire for sentimentality in fine art, contained more content than is typically constitute in art of that era. The piece of work, subtitled An Historical Incident of November, 1764, depicts a existent result that occurred during the French and Indian State of war in which a young adult female is torn between the Natives that she has been living with afterwards beingness captured past them and a white adult female, her mother, who has come to accept her dorsum. The work now resides in Lincoln Park, Newark, New Jersey.
Portraits [edit]
Statue of Thomas Church Brownell at Trinity Higher, Hartford, Connecticut.
Ives created many portraits of the well known and non then well known persons of his time, many created in Rome of wealthy Americans who were traveling in Europe. Some of these portrait statues and busts include ones of:
- Thomas Church Brownell (1869), Hartford, Connecticut[three]
- Roger Sherman, (1870), National Statuary Hall Collection, United States Capitol, Washington D. C.
- Noah Webster, (1840)
- William H. Seward, (1857)
- Edward Hitchcock
- Roger Sherman, (1878)
- Jonathan Trumbull, (1878)
- Jeremiah Day
- Thomas Twenty-four hour period, (1842)
- Rev. Dr. Nathaniel William Taylor, (1860)
- Ithiel Town
- Frances Pierce & her baby daughter. (1864) Rosehill Cemetery, Usa, Chicago
Mythical and allegorical subjects [edit]
Undine Rising from the Waters
Lite shines through the back of Undine'southward garment.
Like many other Victorian era artists Ives studio in Rome generated a large number of works drawn from Greek and other mythologies. Works in this oeuvre include his statues of:
- Pandora
- Ariadne
- Ceres
- Undine
- Jephthah's Daughter
- Rebecca at the Well
- Nursing the Babe Bacchus
- Flora
- Egeria
- The Hebrew Convict
- Ruth
Collections [edit]
Works by Ives can be found in numerous collections, including:
- Buffalo History Museum, Buffalo, New York
- Amherst College, Mead Art Museum, Amherst, Massachusetts
- Lyman Allyn Museum, New London, Connecticut
- Connecticut State Capitol, Hartford, Connecticut
- Yale University Art Gallery, New Oasis, Connecticut
- Corcoran Gallery of Fine art, Washington D.C.
- Smithsonian Museum of American Fine art, Washington D.C.
- New York Historical Society, New York City
- Museum of Fine Arts, Boston, Massachusetts
- Maryland Historical Society, Baltimore, Maryland
- Cincinnati Historical Society, Cincinnati, Ohio
- Cincinnati Museum of Art, Cincinnati, Ohio
- University of Tennessee, Ackien Mansion, Nashville, Tennessee
- State Historical Society of Wisconsin, Madison, Wisconsin
- Peabody Essex Museum, Salem, Massachusetts
- Metropolitan Museum of Art, New York City
- Virginia Museum of Fine Arts, Richmond, Virginia
- Chrysler Museum, Norfolk, Virginia
- Art Establish of Chicago, Chicago, Illinois
- Detroit Found of Arts, Detroit, Michigan
- High Museum of Art, Atlanta, Georgia
References [edit]
- ^ "Undine". Smithsonian American Fine art Museum . Retrieved twenty December 2018.
- ^ Taft, Lorado, ''The History of American Sculpture'', The Macmillan Visitor, New York, 1925 p.113
- ^ "Thomas Church building Brownell by Chauncey B. Ives". Hartford Art. Archived from the original on 19 August 2013. Retrieved thirty August 2016.
Sources [edit]
- Compilation of Works of Art and Other Objects in the The states Capitol, Prepared by the Architect of the Capitol under the Joint Committee on the Library, The states Regime Printing House, Washington, 1965
- Chicken, Wayne, Sculpture in America, Thomas Y. Crowell Co, NY, NY 1968
- Greenthal, Kozol, Rameirez & Fairbanks, American Figurative Sculpture in the Museum of Fine Arts, Boston, Museum of Fine Arts, Boston 1986
- Murdock, Myrtle Cheney, National Statuary Hall in the Nation's Capitol, Monumental Press, Inc., Washington D.C., 1955
- Opitz, Glenn B, Editor, Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers, Apollo Book, Poughkeepsie NY, 1986
- Taft, Lorado, The History of American Sculpture, MacMillan Co., New York, NY 1925
- Thurkow, Fearn, Newark'southward Sculpture: A Survey of Public Monuments and Memorial Statuary, The Newark Museum Quarterly, Newark Museum Association, Winter 1975
- Lauren Keach Lessing (2006). Presiding Divinities: Ideal Sculpture in Nineteenth-Century American Domestic Interiors. Ph.D. dissertation: Indiana University.
External links [edit]
- Art and the empire city: New York, 1825-1861, an exhibition itemize from The Metropolitan Museum of Art (fully available online every bit PDF), which contains material on Ives (encounter alphabetize)
Source: https://en.wikipedia.org/wiki/Chauncey_Ives
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